The Autobiography of Hollywood's Pioneer Child Star
Author: Diana Serra Cary
Genre: Autobiography/Nonfiction
Hardcover; Digital Book
ISBN #: 9780312147600
First Edition
552 Pages
$29.88; $9.99 Amazon
August 26, 2016
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Long before Shirley Temple's curls bounced their way into America's heart, Baby Peggy lit up marquee from coast to coast. She was the original child star produced by Hollywood and her amazing journey set the pattern for all those who followed.
Discovered when she was only nineteen months old, Baby Peggy with her angelic face and expert mugging for the camera entertained audiences across the nation and around the world. She starred in a series of short two-reel comedies, completing 150 of them by the time she turned three. By her fifth birthday, Baby Peggy's films were earning as much as Charlie Chaplin's, and she herself was a millionaire, having signed a three-film $3.5 million contract.
Establishing a disgraceful tradition for the parents of child performers, Baby Peggy's mother and father, emotional children themselves, squandered her fortune.
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Long before there was superstar child actress Shirley Temple, there was one that came before her, almost a hundred years ago. Her name was Baby Peggy, and she made 150 films for various movie studios. However, unlike Shirley Temple, who always played her age in films (and what endeared her to millions of viewers), Baby Peggy often played "grownups"; she would act in films that portrayed her as a miniature person, complete with period dress.
Which is not to say millions didn't adore her also; they did. But I am saying that you cannot compare the two in regard to movies. They were very different, and many other child actors have come and gone along the way.
I had never heard of Baby Peggy, but I wanted to know more about her. I love classic films and own thousands of them. But I own not as many silent films, which is what this little girl made. Sadly, most of her films have been destroyed, and I have only been able to see Captain January, which is one of her final ones. She did have acting ability, and it was because, according to her own writing, she could take direction and basically film anything in one take.
Having said that, I will say that this book was rather depressing to me. Beginning acting at nineteen months, her father became her manager and she wasn't allowed to have a childhood. Her older sister, Louise, was denied things that Peggy was denied, for that reason alone. This caused a rift between the sisters that lasted until later adulthood.
Her father was a spendthrift, and the minute he realized Peggy could support them, he quit his own job (such as it was) and refused to allow his wife to have anything to do with Peggy's making movies. He spent the money quickly, and unfortunately, allowed someone to manage some of it who had no business doing so in the first place.
Without child protection laws in place (which were added because of child actor Jackie Coogan and his actions), they could do what they wanted with her money, which they promptly did. It appears Peggy did not have a very happy life, and in later years changed her name to Diana.
She did have a happy second marriage, which was a good thing, but reading this I felt that it was more cathartic for this late little actress, and that life could have treated her better.
More on Diana Serra Cary's Books: https://www.amazon.com/stores/Diana-Serra-Cary/author/B001HN15H6?ref